Diddy for The Hitmen/Bad Boy Entertainment Inc., Co-Producer - Sean "P. Diddy, MainArtist - Brian "Big Bass" Gardner, Masterer - Chris Athens, Masterer - Leroy Watson, Writer - Mike Patterson, Mixer - P. Jack Knight, Writer, FeaturedArtist - Charlie Bereal, Guitar - Harve "Joe Hooker" Pierre, Executive Producer - Jayceon Taylor, Writer - Ethan Farmer, Bass - Shannon "Slam" Lawrence, A&R Manager - Sean Combs, Writer - P. All told, the number of memorable hooks on display here is surprising. The rest of the album is worth talking about, as it involves noteworthy appearances from Christina Aguilera, Ciara, Nas, Big Boi, Cee-Lo, and several others, but it's less risky and not nearly as remarkable as the closing stretch. Timbaland (with partner Nathanial "Danja" Hill) and Mario Winans (with Diddy) deliver robust, imaginative productions that lay the majority of modern-day R&B tracks to waste (glints of left-field dance music and the new wave that inspired it are incorporated to great effect), while Rich Harrison expectedly and thrillingly blends the blaring with the lush behind Blige. This last half-hour of the album, with the exception of a couple instances where Diddy could've left everything in the hands of the vocalists, teeters on the edge of brilliance. Blige all take lead roles and make up the heart of the album.
![diddy press play listen diddy press play listen](https://image-cdn.hypb.st/https%3A%2F%2Fhypebeast.com%2Fimage%2F2021%2F07%2Fdiddy-return-to-music-after-six-years-confirmed0-tw.jpg)
![diddy press play listen diddy press play listen](https://www.nme.com/wp-content/uploads/2021/07/Diddy-working-on-new-album.jpg)
Multi-threat up-and-comer Keri Hilson (watch for her), Brandy, Keyshia Cole, and Mary J.
#Diddy press play listen series#
Apparently inspired by his relationships with ex-girlfriend Jennifer Lopez and his wife, Diddy and his shifting cast of fellow songwriters/producers pen a series of songs - you could almost call it a suite - emboldened by a round of knockout performances from several women. Around track six, the guests begin to take over the 80-minute program, and the album morphs into a theatrical examination of love and romance that is partly randomized but mostly tremendous. During the first several tracks, he's the dominant voice, dishing out the expected variations on his wildly hubristic boasts of old, and that includes a baffling gritted-teeth threat like "America, fall back, you can't stop me/Got a thing for pigeon-toed chicks who walk knock-kneed." On his own, he does not deliver. Peculiarly enough, Diddy's practically the opening act on his own album. Press Play is well timed, and it's also well endowed: the roster of collaborators and guests is both extensive and impressive enough to entice the severely Diddy-resistant. His Bad Boy empire settled into a severe lull until the summer of 2006, when Yung Joc's "It's Going Down," Cassie's "Me&U," and the Danity Kane album revived the label. Buy the album Starting at £13.99ĭiddy spent the five years since the release of his previous solo album making (and shelving) a gospel album, dabbling (or flailing) in dance music, running in the New York City Marathon, developing a perfume called (almost unbelievably) Unforgivable, and undoubtedly doing many other important things.
#Diddy press play listen download#
But in having a hard time saying goodbye, he unwittingly gave Metallica the tools they needed once again to come together as a brotherhood.Purchase and download this album in a wide variety of formats depending on your needs. I don’t think that’s the case at all," said Berlinger, who added, "I think he’s a caring human being who wears his heart on his sleeve, and did great work in the band, and it got to the point where his job was done, and he had a hard time saying goodbye. "I think the misperception is that had his hooks in the band for fees and he was just looking to milk the situation. And James was saying, ‘Look guys, I have to work with my family, maintain my sobriety and maintain my composure.’ So that collision was scary, but it was necessary," Towle urged.Ĭo-director Joe Berlinger also defended Towle's commitment to Metallica, which has been interpreted in many ways by fans. He was just someone who was expressing the pent-up anger he had felt. And he probably felt that James had controlled them for more than 10 months, right? So this was the collision of years of frustration." Like, ‘What the fuck? We’ve been waiting for you, and you’ve controlled us for 10 months.
![diddy press play listen diddy press play listen](https://static.billboard.com/files/media/Wax-Motif-press-photo-2019-billboard-1548-compressed.jpg)
And when James comes marching back and says, ‘I can’t work between certain hours and certain hours’, Lars was really pissed off. Waiting, waiting, waiting… not only waiting, but wondering whether James was ever going to come back. In regards to this infamous Some Kind of Monster scene, Towle explained, "These guys are waiting for James. Towle, who worked closely to restore the relationships between the Metallica members and create a strong foundation upon which to rebuild, spoke with Metal Hammer for their magazine issue celebrating 40 years of Metallica.